![]() ![]() I really like what FAW accomplished – the plug-in stays hassle-free and focused on sub-bass, yet it’s probably the most comprehensive of its kind. The Sample engine lets There are 100+ new presets showcasing the expanded feature set, as well as a Macro page to assigns macros. The LFO rate can be set manually or left in sync with the DAW tempo. SubLab XL Pack Bundle, SubLab XL Pack Bundle plugin, buy SubLab XL Mac PC Free bundle mac pc 32-bit / 64-bit SubLab XL Pack Bundle Expansion Packs by Future Audio Workshop Open Media Gallery Your Price 25.00 Virtual Cash you will earn 1.00 Rewards+ Tokens 0. ![]() The available waveforms include sine, triangle, sawtooth, square, and even noise. You can assign LFOs to as many as 18 modulation destinations. You can also change the order of the effects in the chain according to your needs.Īlso present is LFO modulation to make the bass wobble. You can choose from six distortion types, a waveshaper, tape hiss and wobble, bit-crusher, and compressor with side-chain input and mix control. There are also new effects that make for a complete FX section. There are Pitch and Width controls to let you alter the respective parameters, alongside a Mix blend control. It has the sawtooth, triangle and square waveforms along with the ability to layer them into supersaws. The updates and improvements begin with an all-new oscillator. SubLab XL is still the sub-bass and all-purpose bass synth generator it was – great for layering, coping a distorted 808 kick for further processing, and so on. But Future Audio Workshop ended up treating it as a proof of concept, basically, and built it up into something menacing! There are more than a few additions and improvements that make SubLab an almost entirely self-contained instrument – without over-complicating it. SubLab made the walls shake without much of an effort. This plugin lets you mix and match up to four effects, including six types of distortions, waveshaper with sine fold and linear fold, tape with hiss and wobble, bitcrusher with decimation and bit mode, as well as compressor with auto sidechain and mix amount. That’s very little money for a full-fledged bass-centric instrument like this. ![]() The synth section is straightforward with sine, triangle, saw and square waveforms, and ADSR envelopes for volume, filter and pitch. Despite all the upgrades, SubLab XL remains affordable at an introductory USD 50, and the upgrade costs USD 20. The aptly named SubLab lets you combine three sound sources to construct your bass sounds: A synth, a sample playback engine, and X-Sub, FAW’s novel sub-bass oscillator. ![]()
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